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However, there are times when a more dramatic vignette is a useful effect, such as in a black and white landscape to add a touch of drama or in an intense portrait to create a darker mood. When used in this way, a vignette will generally not be consciously detectable by the untrained eye. Typically a vignette, as previously mentioned, is used in a gradual or subtle way since our eyes don’t actually make the borders of our vision very dark and fuzzy. It can also be used as a finishing touch on a photo once the exposure and composition are perfect. By causing the periphery to gradually fade away, not only will the photo be more like actual vision, it can immediately draw the eye to the main subject and away from unimportant elements in the background or periphery.
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Vignetting can act as a way to frame the intended subject in a photo in either a subtle or dramatic way and really make it stand out to great creative effect. Although a photograph with precise focus and exposure throughout may be desirable in some scenarios, it can also seem very boring, artificial and even too contrived in others. Therefore, a vignette more or less mimics the way our eyes actually see a scene. We see the center of a scene with ideal light sensitivity and perfect focus and then focus and brightness will fall off increasingly toward the periphery. Generally in spite of our very wide field of view, our eyes don’t see with perfect focus at all points in a scene.